Planet of the Apes 1968 Movie Review Rolling Stone
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"Planet of the Apes: The Evolution of a Legend"
"Planet of the Apes: The Evolution of a Legend"
When George Taylor (Charlton Heston) landed on a familiar surface dominated by primates in 1968'southward landmark "Planet of the Apes," science fiction and film in general inverse forever. Seeing "Planet" at a young age had such a remarkable impact on the style I view non merely genre fiction but motion-picture show in full general. The twist ending wasn't just mind-blowing, it revealed to a immature viewer how film could serve as both entertainment and social commentary. And repeated viewing revealed the layers of the same depth within the unabridged slice, not just the revelatory finale. "Planet of the Apes" is proof that science fiction—textile often designed to present worlds we tin can't imagine—works best when it doesn't merely offer a vision of the futurity only a commentary on the nowadays. It is the deep relatability inside the film that allows it to resonate to this twenty-four hours. As John Landis notes in the foreword to the excellent new coffee table book "Planet of the Apes: The Evolution of a Legend," what child couldn't see himself in the captive George, ordered around by parents who they couldn't understand? And repeated viewings as one ages sees the deeper themes of social structure and a defiled planet beneath the escapism. Information technology is one of the few franchises to last well-nigh a half-century (the third motion-picture show in the reboot trilogy will come out in 2016) and this book stands as a document of that remarkable lasting power.
Spread over more than 250 detailed pages, "The Evolution of a Legend" chronicles the entire history of the "Apes" phenomenon, from the book to the kickoff motion picture to the sequels to the TV series to both reboots (yes, even the Tim Burton dud gets some infinite). It is filled with amazing production stills, behind-the-scenes details, interviews, and pictures of rare memorabilia & marketing materials. For instance, at that place's an awesome poster that Fox released when the first v films were playing on TV that mocks the U.S. Regular army affiche by replacing Uncle Sam with an ape who "Wants YOU to…GO APE!" Personally, I can't get plenty of stuff similar this—nostalgic recollections of how movies yous know and dearest were shaped into our popular culture. There's nothing ignored. Even hardcore fans may not remember the cartoon "Render to the Planet of the Apes" but in that location'south a page of animated stills from information technology.
Naturally, most of the focus of the volume is on the offset picture's legacy and the success of the reboots—"Rise of the Planet of the Apes" and "Dawn of the Planet of the Apes." With the latter just striking Blu-ray and the former still a hit on cablevision and other home markets, the "Apes" legacy has arguably never been more profitable. And and then a coffee table book for the holiday season makes sense financially. However, authors Joe Fordham and Jeff Bond have cut no corners. Aye, a lot of this archival material was previously available, just it has never been collected and presented in such a complete style. It'south besides non the kind of book to only offer synopsis and sound bites on your favorite films, as these tomes ofttimes exercise. There are capacity that go in-depth on dozens of aspects of the filmmaking from the make-upwardly to how music/score impacted the "Apes" experience to, of course, the motion-capture brilliance of Andy Serkis in the '10s films. This is not mere fan service. I'one thousand ever happy when it feels like a fan base isn't treated like a cash cow. There are people who love "Planet of the Apes," every bit I clearly do, to such an extent that they'd put anything new on their holiday wishlist. "Development of a Legend" doesn't take advantage of that, offering a detailed history instead of a mere epitomize. It'south one of the best flick books of the season.
Brian Tallerico
Brian Tallerico is the Editor of RogerEbert.com, and too covers tv, moving-picture show, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Picture Critics Clan.
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